By Guido Rosso, Brian Monnone, Michael Kemper
* The booklet will help the recent model of Flash, published afterward this yr.
* this can be the one updated ebook out there that covers Flash Interface layout during this intensity.
* It contains entire instance websites, to teach the reader what could be completed with Flash pictures by myself.
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Analogous The analogous color scheme combines hues that are next to each other on the color wheel (see Figure 3-13). This mixture creates a soothing color harmony. Figure 3-13. qxd 4/7/06 4:26 PM Page 38 CHAPTER 3 Complementary A complementary scheme consists of hues on opposite sides of the color wheel from each other (see Figure 3-14). Two sets of complementary colors is called a double complementary. A split complementary is a hue and two colors adjacent to its complementary. Complementary harmony creates contrast and has a tendency to grab the viewer’s attention.
Colors carry meaning beyond what can be verbally expressed, and as designers, we create, mix, and bend them to communicate more effectively. As interface designers, we have a greater challenge: to harness the power of color not only to enhance our work’s visual appeal, but also to make interfaces easier for our audience to use.
He can identify with the style, and the structure is intuitive. Point of no return: The user is hooked. He has found something of interest in the content and is actively interacting with your interface to learn more. At this point, your surface design is secondary to the content, but the structure of the navigation and content is what is keeping your user engaged. The craftsmanship of your work is imperative to maintaining this successful experience. Realization: The user has made a personal connection with the material.
AdvancED flash interface design by Guido Rosso, Brian Monnone, Michael Kemper